Frightening Writers Discuss the Most Terrifying Narratives They've Actually Experienced
Andrew Michael Hurley
The Summer People by a master of suspense
I encountered this tale long ago and it has stayed with me from that moment. The so-called “summer people” happen to be a family from the city, who occupy a particular remote rural cabin each year. This time, rather than heading back home, they choose to extend their holiday a few more weeks – a decision that to alarm each resident in the nearby town. All pass on an identical cryptic advice that nobody has remained by the water beyond Labor Day. Regardless, the couple insist to stay, and at that point situations commence to get increasingly weird. The person who delivers fuel refuses to sell to the couple. Not a single person agrees to bring supplies to their home, and when the family endeavor to travel to the community, their vehicle fails to start. A tempest builds, the energy of their radio die, and as darkness falls, “the aged individuals huddled together within their rental and expected”. What are they expecting? What do the locals be aware of? Every time I read the writer’s chilling and influential story, I remember that the finest fright comes from that which remains hidden.
An Acclaimed Writer
An Eerie Story from Robert Aickman
In this concise narrative two people go to an ordinary beach community where bells ring continuously, a constant chiming that is irritating and inexplicable. The initial truly frightening moment occurs after dark, when they decide to take a walk and they are unable to locate the sea. Sand is present, the scent exists of decaying seafood and brine, waves crash, but the water seems phantom, or a different entity and more dreadful. It is truly deeply malevolent and whenever I go to a beach in the evening I recall this narrative which spoiled the sea at night to my mind – positively.
The recent spouses – the woman is adolescent, the husband is older – return to the inn and find out the cause of the ringing, through an extended episode of enclosed spaces, macabre revelry and mortality and youth intersects with grim ballet pandemonium. It’s a chilling contemplation about longing and deterioration, a pair of individuals growing old jointly as spouses, the attachment and violence and gentleness in matrimony.
Not merely the most terrifying, but likely among the finest short stories available, and a personal favourite. I experienced it in the Spanish language, in the first edition of these tales to be released in Argentina a decade ago.
Catriona Ward
Zombie from Joyce Carol Oates
I delved into this narrative beside the swimming area in the French countryside a few years ago. Although it was sunny I experienced a chill through me. I also experienced the excitement of excitement. I was working on my latest book, and I faced a wall. I wasn’t sure if there was any good way to write various frightening aspects the narrative involves. Experiencing this novel, I saw that there was a way.
Released decades ago, the book is a grim journey within the psyche of a murderer, the main character, inspired by a notorious figure, the serial killer who killed and cut apart 17 young men and boys in a city between 1978 and 1991. Notoriously, this person was obsessed with producing a submissive individual who would never leave by his side and made many horrific efforts to accomplish it.
The deeds the novel describes are terrible, but similarly terrifying is the mental realism. The protagonist’s awful, shattered existence is directly described using minimal words, details omitted. The audience is sunk deep caught in his thoughts, obliged to witness thoughts and actions that shock. The foreignness of his mind is like a bodily jolt – or being stranded in an empty realm. Going into this story feels different from reading than a full body experience. You are consumed entirely.
An Accomplished Author
White Is for Witching from a gifted writer
When I was a child, I was a somnambulist and later started suffering from bad dreams. On one occasion, the terror featured a dream where I was confined inside a container and, upon awakening, I realized that I had removed a part from the window, seeking to leave. That house was falling apart; when it rained heavily the ground floor corridor became inundated, maggots dropped from above into the bedroom, and on one occasion a large rat ascended the window coverings in my sister’s room.
After an acquaintance presented me with Helen Oyeyemi’s novel, I had moved out with my parents, but the story about the home perched on the cliffs felt familiar to myself, longing as I was. It’s a story about a haunted clamorous, atmospheric home and a girl who consumes chalk from the cliffs. I adored the novel immensely and returned again and again to its pages, each time discovering {something